Rating and reviewing movies like these are often difficult for the average critic. On one hand, they’re done absolutely brilliantly done in ways that buy one’s breath away; on the other hand, how powerful credit can you give to a movie that is pure propaganda, especially propaganda for something the reviewer doesn’t agree with?
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This “realistic re-enactment” of the events of October 25th, 1917, is actually anything but realism. Instead, it is a harrowing and astounding Romantic experience. This is not to say it’s bad–it’s incandescent! The direction and editing on this film are noteworthy more refined than Eisenstein’s previous and much-more-heralded film, Brenonsets Potyemkin (Battleship Potemkin), and it has a whole lot more symbolism and focus on literary devices. His fast-paced cutting is not as disjunctive as previously; instead, it works to shock the viewer with the juxtapositions. I don’t judge I shall ever accumulate the snappily back-and-forth cutting between that one soldier’s face and the firing machine gun ever out of my mind. It’s unprejudiced that grand.
This movie is so top-notch, in fact, that it makes me proud to be a Bolshevik… and I’m not, not in any procedure or execute! How’s that for being a remarkable, well-done movie? The Birth of a Nation didn’t effectively design me proud to be a Klansman, for a comparison…
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Because of its intense political alignment, I can’t study everyone appreciating this film. There will always be those out there who say, “Ah, it’s only Communist propaganda” (which is fair) “so it’s not even worth watching…” (which is defective) . For those who are looking for a delicate cinematic experience, however, this movie is a magnificent choice indeed.
–PolarisDiB
This movie is not exactly designed for casual enjoyment. It’s no surprize that it was not very favorite when it was first released. Eisenstein takes a fairly intricate, if not convoluted, episode in history and recreates it through a maddening journey of of montage intercut, while establishing no particular characters to produce any tale around. So the film must be appreciated almost solely for the technique of its vivid director (along with an good Shostakovich soundtrack) . Not a large date flick, this is an ideal DVD for students of film history to challenge themselves.
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